Corinne DayBen Grimes backstage at the Lido Paris, 2003Archival pigment printAvailable in two sizes:
57 x 70 cm (22 7/16 x 27 9/16 in.)
Edition 1 of 10 + 2 H/C’s
122,14 x 150 (48 3/32 x 59 1/16 in.)
Edition 1 of 3 + 1 H/C’s
Corinne DayKate in baggy jumper, 1991Archival pigment print70 x 57 cm (27 9/16 x 22 7/16 in.)Edition 1 of 10 + 2 H/C’s
Corinne DayKate with Coconuts Borneo, 1991Archival pigment print70 x 50 cm (27 9/16 x 19 11/16 in.)
Edition 3 of 10 + 2 H/C’s
Corinne DayLift your skinny fists , 1991Archival pigment print70 x 55 cm (27 9/16 x 21 21/32 in.)Edition 1 of 10 + 2 H/C’s
Corinne DayRose & George on the sofa, 1993Archival pigment print55 x 70 cm (21 21/32 x 27 9/16 in.)Edition 1 of 10 + 2 H/C’s
Corinne DayTania colouring her hair, 1995Archival pigment printAvailable in two sizes:
40 x 60 cm (15 3/4 x 23 5/8 in.)
Edition 4 of 7 + 2 H/C’s
100 x 150 cm (39 3/8 x 59 1/16 in.)
Edition 1 of 3 + 1 H/C’s
Corinne Day (Feb 19 1962 - Aug 28 2010) was a British photographer whose influence on the style and perception of photography in the early 1990s and onwards has been immense.
Self taught, Day brought a more documentary look to fashion imagery, in which she often included autobiographical elements. She was known for forming long and close relationships with many of her muses including Kate Moss, Rosemary Ferguson, George Clements, Georgina Cooper, Sarah Murray, Tanya Court, and Tara St Hill, a way of working which resulted in candid and intimate portraits. Her first published work was for The Face magazine in 1990 - photographs of Kate Moss in an editorial titled the '3rd Summer of Love'. Day's approach to fashion photography in the 90s, came to be known as 'grunge' and grew into an international style.
In 1993 Day was commissioned by British Vogue editor Alexandra Shulman to photograph Kate Moss and her other sitters for the March issue cover shoot and main fashion story. The shoot and cover of Kate was met with huge praise. Later that year Day was commissioned for an intended lingerie fashion shoot for British Vogue that took place in Kate Moss's own flat in West London. The images appeared to have a documentary feel about them and when published caused a media scandal, with the world's press claiming the images to be 'hideous and exploitative', labeling them as 'child pornography' and 'heroin chic'.
Retreating from fashion work in the wake of the 'heroin chic' debate, Day spent much of her personal time over the next seven years taking photographs for her first book, 'Diary', a personal visual record of her life and friends, including Tara St Hill and the band, Pusherman with whom she toured America. The book is by turns both bleak and frank, but it is also a tender, poetic and honest chronicle of young lives.
Kruse Verlag published 'Diary' in 2000. This body of work was exhibited at The Photographers' Gallery in London in the same year.
In November 1996 at the Bellevue Hospital in New York, Day was diagnosed with a slow-growing, Grade Two brain tumour called an Oligo Astrocytoma, after which she returned to London for brain surgery at the Whitechapel Hospital in December. The surgeon and oncologist gave her a prognosis of 8 years left to live, however Day outlived this prognosis by more than six years.
Following her illness, Day returned to fashion photography and was regularly commissioned by British, Italian and Japanese Vogue amongst many others. Her work has been exhibited at the National Portrait Gallery, Victoria & Albert Museum, Tate Modern, Saatchi Gallery, The Science Museum, The Design Museum, The Photographers' Gallery, Gimpel Fils Gallery and was also included in The Andy Warhol exhibition at the Whitney Museum, New York.
Corinne Day sadly passed away in August 2010. It is now thought that her disciplined following of alternative treatments and good nutrition after her surgery, with the aid of her husband Mark Szaszy, helped to extend her life.
Day's second book titled 'May The Circle Remain Unbroken' featured unseen work documented over a 20 year period and was published in 2013 by Morel Books.
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Corinne Day DiaryDirected by Mark Szaszy, 2003 May 16, 2022CORINNE DAY DIARY FILM BY MARK SZASZY Shot over a 10-year period by Corinne Day's boyfriend, Mark Szaszy, this fascinating biographical film explores the life and work of one of Britain's most controversial photographers. New Zealand director Mark Szaszy and British fashion photographer Corinne Day’s project, the hour-long documentary Corinne Day Diary was shot over a period of 10 years, Corinne Day Diary is Mark Szaszy’s first documentary film, focusing on the life and work of his girlfriend, Corinne Day. Ever since the British style magazine The Face ran Corinne’s...
picture perfectSunday Times Magazine , September 26, 2010
The Define Yourself Issuei-D, September 4, 2010
when fashion got realLESLEY DOWNER, The Wall Street Journal, November 24, 2000
i'm a photography junkieSheryl Garratt, The Observer Review, September 3, 2000
What Katy didRobin Muir, The Independent, February 22, 1997
Heroin chic? Just say noThe Face, May 4, 1995
Corinne's new dayRichard Pandiscio, Interview, January 10, 1993
The secrets of eternal YoofGeraldine Bedell, The Independnent, March 3, 1991